ATOMIC OPERA: Gospel Cola CD PRE-ORDER

183,-

Informasjon

Informasjon

THIS IS A PRE-ORDER! We expect this in stock mid October 2026.
You must place a separate order for all pre-orders if you do not want your in-stock items held up. All items ordered together will ship together when the last item arrives.

Limited to only 300 copies
Retroactive Records Metal Icon Series reissue of the 2000 Metal Blade Records release
Features the celebrated Atomic Opera lineup of Frank Hart, Kemper Crabb, Ryan Birsinger, and John Simmons
Frank Hart – vocals, guitar, cello
Kemper Crabb – vocals, mandolin, dulcimer, recorder, bouzouki, harmonica, and ocarina
Ryan Birsinger – bass, Chapman Stick, vocals
John Simmons – drums, percussion, vocals
Additional Hammond organ and Rhodes by Byron Roy and pipe organ by Andy Bowen
Produced by Frank Hart and Atomic Opera
Recorded at Digital Penguin Studio in Houston, Texas
Engineered and mixed by Ryan Birsinger
Originally mastered by Bob Boyd at Ambient Digital
Remastered by Rob Colwell for this Retroactive Records edition
Features restored artwork and design by Scott Waters / NoLifeTilMetal
Deluxe 12-page booklet packed with lyrics, artwork, photos, credits, and the Atomic Operaen Creed
A unique collision of progressive hard rock, heavy guitars, rich melody, folk instrumentation, vocal harmonies, and thought-provoking Christian lyrics
For Fans Of: King's X, Galactic Cowboys, ArkAngel, The Jelly Jam, Ty Tabor, and adventurous progressive hard rock

Originally released by Metal Blade Records in 2000, Atomic Opera's Gospel Cola may be the perfect example of why this Houston band has always been so difficult to categorize—and why their music continues to attract listeners decades later. Progressive but accessible, heavy without being relentlessly metallic, deeply melodic yet structurally adventurous, Gospel Cola sounds like a band completely comfortable following its own musical instincts.

This was a new chapter for Atomic Opera. Joining singer, songwriter, guitarist, and cellist Frank Hart were Kemper Crabb, Ryan Birsinger, and John Simmons, creating a lineup capable of taking the band's already eclectic sound even further. Crabb alone contributes mandolin, dulcimer, recorder, bouzouki, harmonica, and ocarina, while Birsinger adds bass and Chapman Stick and Simmons brings drums and percussion. Hammond organ, Rhodes, and pipe organ expand the musical palette even further.

The result is an album filled with contrasts. Airy passages and memorable melodies can suddenly give way to surging guitars and heavier progressive undercurrents. Folk and string textures weave through hard rock arrangements. Vocal harmonies coexist with unconventional instrumentation. Songs develop naturally rather than simply following predictable verse/chorus formulas.

And then there are the lyrics. Gospel Cola is unmistakably rooted in Christian faith, but Atomic Opera approaches that faith with intelligence, wit, conviction, and a willingness to challenge religious clichés and hypocrisy. The opening “Jesus Junk” sets the tone immediately, taking aim at the commercialization and trivialization of Christianity while never abandoning the faith behind the critique.

From there the album goes deeper. “Winterland,” “Reiah Discerns the Times,” “Silence,” “Muse,” “Love Is As Strong As Death,” and “The Circle Is Closed” explore faith and human experience from very different angles, while the powerful “Malediction” brings some of the album's heaviest guitars and most confrontational subject matter. Throughout Gospel Cola, Atomic Opera refuses simplistic answers in favor of music that asks the listener to think.

That combination of musical depth and spiritual substance is at the heart of the record. There are unmistakable connections to the melodic progressive world of King's X and Galactic Cowboys, but Gospel Cola never sounds like an imitation. Atomic Opera's unusual instrumentation, Hart's songwriting, Crabb's folk influence, and the band's willingness to move from delicate passages to muscular progressive hard rock give the album an identity entirely its own.

Recorded at Digital Penguin Studio in Houston, Gospel Cola was produced by Frank Hart and Atomic Opera, engineered and mixed by Ryan Birsinger, and originally mastered by Bob Boyd at Ambient Digital. For this special Retroactive Records Metal Icon Series edition, the album has been remastered by Rob Colwell and features restored artwork and design by Scott Waters / NoLifeTilMetal.

Limited to only 300 copies, Gospel Cola is a welcome return for an album that remains heavy on melody, deep in message, unpredictable in execution, and unmistakably Atomic Opera.

Tracklist: